Myself and Sophie shot off in the car headed towards Selby with a full tank of fuel and sham 69 blasting while racing down the M1, We planned to stop over and stayed at a nearby hotel called the wishing well a very nice place and very cheap! we got down to Selby at 5:30 and drove around to find the veune on the riverside before checking in the hotel.
we hired out a taxi and headed down about 6:30 pm and bumped into our good friends LoGOZ
we just caught the Kingcrows during midset great band i picked up a CD after the show.
next was a rather grungy inspired very simple up beat cheery happy band bad dog no biscuit wearing hawian shirts and singing songs about not wanting to get out of bed. during this time i think i was on my 2nd pint of cider and sophie was on her 3rd jack n coke
next up was a hard core i'd say old fat punk band with lots of aggression and funny t shirts such as fat people are harder to kidnap. i remember the bass player playing a very pretty black and green i assume gibson custom thunderbird with light up led fret markers on the neck IT WAS SO PRETTY! I WANTED IT "SHUT UP AND TAKE MY MONEY!!"
Next up was LoGOZ kicking off their set with *Long time dead* whao!! oh oh" such a cheery tune man.
Playing a great loud 30min set they pulled the crowds in, including a very tall punk standing next to me with a huge mowhawk who made me fell like a hobbit standing next to Gandalf. the guys ended their set with their usual crowd fav Mexicola la while giving out good advice about ebola *Dont catch Ebola* message received guys, they had the crowds cheering by the end. i should point out sophie did a bit filming for them during their set, shes good with a camera i can say that.
after the guys set i was on to my erm 6th pint i think and sophie on her 8th JD n Coke the next band was very in your face, words can't describe what i saw but that tall punk with the mowhawk i mentioned in the last paragraph he was the lead singer performing in Total disfunction. it was punk hardcore, scream core, death core metal type but from what i saw it was very in your face and a big F**k YOU to the system
next up was sham 69 i was on my 29th pint i think and sophie on her 500th JD and Coke, (by this time i lost count) i saw sham 69 at Newcastle calling when they had a reunion with jimmy pursey the original lead singer of the band i was very lucky to see these guys in action thinking i will never see it again but here they are in front of me performing their classic "Hurry up Harry" and ending the set with "If kids are united" they played a great classic set taking you back to the 70's
so after the show and being drunk and happy we caught up with LoGOZ and said our goodbyes and with myself being in a hyper drunken mood went over to give the guys a hug and a lift (i think its my drunk way of saying goodbye n take care) some how alcohol gives me strength these guys are taller than me and managed to lift them all. i'm glad they all got home safely its horrible driving at night
so with the show over me and sophie were hanging about waiting for the taxi to come and we got talking to sham 69 & their tour crew we had a laugh made friends with them even got pointed out i look like one of the Ramones
in the end we finally got our taxi and headed to the hotel, it was a great night great little venue great bands and good drink.
Spitfire Bullets Blog site, an archive of gig reviews of every show we've played since we started off this site
Tuesday, 28 October 2014
Monday, 20 October 2014
8 simple rules to play on a backline
I saw this on a forum and i think every band can relate to this not just us but every band that has either lends or shares their gear to other bands, luckily we have never had any of our gear broken, damaged or stolen
all we ask is you to look after it and respect it and we
will respect you
Dear band members who aren’t playing on their own back line.
The last couple of years we shared our backline A LOT. We
actually don’t mind doing so
Often we are happy about it, but we don’t mind. The reason
why we are not always
Happy about it is because some unwritten rules of playing on
someone else’s backline are (too) often broken.
These rules are very simple and based on common sense and
respect.
1.You break you
pay! – Sorry man, but you broke it and we were already kind enough to lend you
our gear.
2.Help
(un)loading the van – The backline owners probably had to leave work early to
get the gear you need to the venue. They will also have to unload all the stuff
late at night after the show. Ask if you
can help (un)loading at the venue. This will be much appreciated, as they don’t
have to carry it all 4 times in one evening/night.
3.Plug in
correctly (ask how when in doubt)! – Or else things will get broken… just ask.
Please
4.If you want
to move stuff, do so carefully and with respect – seriously? Do we even need to
explain this?
5.Ask if you
can use the backline – Ask the band a couple days before the show if you can
use a cab, drum, complete backline, … it’s common courtesy.
6.Stay and
watch the band play. – Okay, this isn’t always possible, you may have another
show, you may be sick, or you may have another good excuse. But not doing so
because you don’t feel like it? Come on, that’s a bit pretentious, no? Without
the backline you probably weren’t even able to play the show and everybody
needs the support.
7.Respect the
gear. – Don’t put beer on the cabs. Don’t stand on the bass drum (no matter how
cool you think it makes you look), don’t trash any guitars on the backline …
COME ON! Seriously bring your own stuff if you want to do this!
8.Say “thank
you” – Sounds obvious, but those two words tell the guys that you do really
appreciate that you could play on the backline. Another magic trick to really
show your appreciation: offer them a beer (or any other liquid they prefer)
EVERY LITTLE HELPS
The EP recording
You probably heard the EP on sound cloud or bought one of our CDs at one of our gigs.
haven't heard our EP?? check it out here >>> Spitfire Bullets EP
But i know some of you are interested in how it was recorded
It was recorded on 19th March Tuesday night back in 2013 down at the bunker in Sunderland.
The beginning, quotes prices and chaos
Going back a few months before the recording i was emailing lots of recording studios for price quotes on a simple 4 track EP but they kept giving me sky high prices even as a whole band couldn't afford, a lot of these recording studios couldn't understand that all we wanted was a simple low price recording of drums, guitar, bass and vocals, nothing fancy just punk rock music stripped down to the bare bones.
The answer
Eventually after a lot of searching stressing out and about to give in and pay for a sky high price the answer was pretty much in front of us. The place we have rehearsals at (The Bunker) also has their own little recording studio, after enquiring about it and after a few emails back and forth we got a price quote
With this offer in mind and we had a very low budget of £100 we took the half day £50 live recording as we were told the multi track recording would take longer and would cost more, we only had limited time to get the recording in so it took place from 6pm till 9pm
The Recording session
we recorded the whole EP in the bunker in the big room (i can't remember the room number but those who go there will know which room i mean) it was a simple set up in the room both guitar and bass amps were set up at the back with the guitar amp mic'd up with a nice fuzzy overdriven sound coming out and the bass with its treble sound was also mic'd up. The drums were set up at the side with a sound proof wall to stop any sound bleed coming from the amps on to the drum's mics. I used my old Marshall Valvestate with my FX pedal board and my Vintage SG for the recording and our old bass player used his Marshall bass state amp with line 6 multi FX pedal board and his Rickenbacker copy bass, John used the bunkers Ludwig drum kit and his Sabian cymbals all mic'd up. i guess i could say we were feeling fairly confident in doing the recording we just treated the session like the usual rehearsal no messing about just plug in pick which song to do first and go for it. for the full live recording we used a guide vocal recording from myself, recording each of the four songs 3 or 4 times before choosing the ones that sounded the best (the ones that sounded the best were the ones where i wasn't saying fuck and shit down the mic every time i forgot a lyric). this took about a hour and a half to get the tracks down and listen back to them to see which was the best.
after the tracks were chosen the vocals were re-recorded adding two backing vocals for the choruses.
In total the whole recording was finished by 9:00pm it was to be mixed and finalised on saturday where i picked up the master CD.
The Mixing
The mixing of the track was simple, i did a quick read up on how old 70's punk bands had their music mixed because i wanted that 1970's old punk sound captured. Now with it being a live recording having used 6 tracks deleting out the original guide vocals, there was a small bit of bleed on the guitar and bass tracks but hardly noticeable, so the rhythm and lead guitar track was set up front & in your face to the right and the (stranglers influenced bass sound) bass set just behind so it pokes through the guitar sound the bass was set to the left, with drums set at the back but loud enough to hear the thundering beat and set in the middle with the vocals also mixed in the middle along with the two backing vocals set in the middle also.
its amazing how much work went into recording a simple 4 track EP nothing fancy just drums, guitar, bass, vocals and backing vocals all mixed left right and center for £50 and we were gonna pay a even higher price for a overly produce EP. A simple and stripped down recording sounds better and thats art to me!
haven't heard our EP?? check it out here >>> Spitfire Bullets EP
But i know some of you are interested in how it was recorded
It was recorded on 19th March Tuesday night back in 2013 down at the bunker in Sunderland.
The beginning, quotes prices and chaos
Going back a few months before the recording i was emailing lots of recording studios for price quotes on a simple 4 track EP but they kept giving me sky high prices even as a whole band couldn't afford, a lot of these recording studios couldn't understand that all we wanted was a simple low price recording of drums, guitar, bass and vocals, nothing fancy just punk rock music stripped down to the bare bones.
The answer
Eventually after a lot of searching stressing out and about to give in and pay for a sky high price the answer was pretty much in front of us. The place we have rehearsals at (The Bunker) also has their own little recording studio, after enquiring about it and after a few emails back and forth we got a price quote
Full Day Recording - £100
Half Day Recording - £50
Recording options
Live Recording (takes less time and therefore is
cheaper than Multi-track Recording. Only an 8 track recording and therefore not
as clean as a multi-track recording. Good for demos and EPs. Recording
Estimate: 1 day)
Multi-track Recording (takes longer and therefore
is more expensive than Live Recording. Infinite number of tracks to record and
therefore a more polished recording than live recording. Recording Estimate: 2
- 3 days)
With this offer in mind and we had a very low budget of £100 we took the half day £50 live recording as we were told the multi track recording would take longer and would cost more, we only had limited time to get the recording in so it took place from 6pm till 9pm
The Recording session
we recorded the whole EP in the bunker in the big room (i can't remember the room number but those who go there will know which room i mean) it was a simple set up in the room both guitar and bass amps were set up at the back with the guitar amp mic'd up with a nice fuzzy overdriven sound coming out and the bass with its treble sound was also mic'd up. The drums were set up at the side with a sound proof wall to stop any sound bleed coming from the amps on to the drum's mics. I used my old Marshall Valvestate with my FX pedal board and my Vintage SG for the recording and our old bass player used his Marshall bass state amp with line 6 multi FX pedal board and his Rickenbacker copy bass, John used the bunkers Ludwig drum kit and his Sabian cymbals all mic'd up. i guess i could say we were feeling fairly confident in doing the recording we just treated the session like the usual rehearsal no messing about just plug in pick which song to do first and go for it. for the full live recording we used a guide vocal recording from myself, recording each of the four songs 3 or 4 times before choosing the ones that sounded the best (the ones that sounded the best were the ones where i wasn't saying fuck and shit down the mic every time i forgot a lyric). this took about a hour and a half to get the tracks down and listen back to them to see which was the best.
after the tracks were chosen the vocals were re-recorded adding two backing vocals for the choruses.
In total the whole recording was finished by 9:00pm it was to be mixed and finalised on saturday where i picked up the master CD.
The Mixing
The mixing of the track was simple, i did a quick read up on how old 70's punk bands had their music mixed because i wanted that 1970's old punk sound captured. Now with it being a live recording having used 6 tracks deleting out the original guide vocals, there was a small bit of bleed on the guitar and bass tracks but hardly noticeable, so the rhythm and lead guitar track was set up front & in your face to the right and the (stranglers influenced bass sound) bass set just behind so it pokes through the guitar sound the bass was set to the left, with drums set at the back but loud enough to hear the thundering beat and set in the middle with the vocals also mixed in the middle along with the two backing vocals set in the middle also.
its amazing how much work went into recording a simple 4 track EP nothing fancy just drums, guitar, bass, vocals and backing vocals all mixed left right and center for £50 and we were gonna pay a even higher price for a overly produce EP. A simple and stripped down recording sounds better and thats art to me!
Labels:
EP,
local music,
music,
punk,
punk rock,
rock,
sunderland,
unsigned bands
Sunday, 19 October 2014
Rock N Roll Radio
Rock'n, rock'n'roll radio Let's go
Rock'n, rock'n'roll radio Let's go!
i never expected the band's music to be played across the airwaves but here it is being played live on 3 radio stations!!
Radio Northumberland on Keith Newman's unsigned punk show every Monday night.
Radio Boise in Idaho USA DJ Frankenbyan's return of the disco witch's hunt radio show.
EGH Radio on the unsigned bands show.
these are great radio stations and great radio shows to hear REAL music, you know Rock, metal, Punk the real stuff not that commercial crap that's always on FM and AM radio stations, they play what you wanna hear and will play the best of unsigned local bands and unsigned bands from across the pond.
be sure to check out these stations
be sure to check out these stations
Thursday, 16 October 2014
NE Volume Spitfire, by the Spitfire Bullets Review
NE Volume did a review of our song "Spitfire" you can see the original article here >> NE Volume
Spitfire, by the Spitfire Bullets
Review By: Paul Heatly
Band: Spitfire Bullets
Album/Single Name: Spitfire
Sunderland based Spitfire Bullets are a
three-piece punk band with a distinctly 70’s aesthetic, their fuzz-laden
three-chord sound reminiscent of the likes of The Sex Pistols, Sham 69, and in
some places even The Misfits.
Their single ‘Spitfire’ is representative of what
they are: a throwback to a former era, embodied by the youth of today and eager
to prove angry, dirty, paranoid punk rock isn’t dead yet. Propelled by storming
drum work, throbbing bass lines, an angry guitar and some growling vocals that
must surely leave the singer in need of a lozenge after every set, Spitfire
Bullets are successful at what they want to do, which is presumably to make
their music and have a good time. What they’re doing isn’t original or unique,
but it’s done with passion, with a clear love for punk and everything it stands
for, and it’s this love that shines through their music most of all.
Labels:
EP,
local music,
music,
punk,
punk rock,
reviews,
rock,
sunderland,
unsigned bands
INTRODUCING NORTH-EAST BASED THREE PIECE PUNK ROCKERS SPITFIRE BULLETS....
We did a interview for the online music magazine Music Muso a few month back you see the original article here >>> Music Muso
Spitfire Bullets are a Three-piece punk band from
Sunderland who cite their influences as The Sex Pistols, The Ramones, Iron
Maiden and Ac/DC (to name just 4), we caught up with Robert McDonald (lead
guitarist and vocalist) and chatted about crap online videos of cats, new bass
players and why he's no fan of Simon Cowell, here's how we rolled....
Please introduce the band and your music in one
sentence....
Hey! We are Spitfire Bullets, a Punk Rock band!!
You’re called Spitfire Bullets how did you come
about choosing this name?
It started back in 2011/2012, originally the old
band was known as 'Prying Eyes', a sort of heavy rock band beginning in 2010,
it got to a point where I felt the band needed a new image, name and style.
Punk rock was something I have wanted to do for a while. Also having an
interest in WW2 aircraft, most notably the spitfire, I knew it would be a name
that would stand out, it was fierce and sounded fast like a bullet. so playing
about with the name we knew there was already a band called The Spitfires and
also a local punk band called HiFi Spitfires. Deciding on the name “Spitfire
Bullets” came by as luck and asking some of our friends what it sounded like to
them, it was a name that sort of stood out and sounded speedy and raw, so we
bit the 'bullet' and stuck to the name.
How and when did you decide that you wanted to be
in a band/performer?
It wasn’t really a decision at the time, I took up
guitar back in 2008 just wanting to learn a few chords as a hobby really, but I
thought about putting a band together to jam with since I knew a few friends
who played as well, I put the band together in June 2010 a week before download
festival 2010, and we just jammed in the practice room for a bit of fun. We
were offered to play a showcase at a local pub and it took off from their,
playing the first show, it wasn’t that good but I knew it was something I
wanted to do again and again. Band members changed over the years before
Spitfire Bullets, myself (Robert) has always been the original member.
Are you still on the lookout for a bassist? If so
what type of bassist are you after and what happened to the last one? If not,
what is the new bassist like?
We have a new bassist! We took him on a few months
back and performed our first gig with him (19/07/2014), he’s a metalhead and a
good friend and he offered to join and he plays well. Whenever we are looking
for a bass player we sometimes drag anyone off the street, it’s quite hard to
get a bass player and also someone who is willing to play in a punk rock band,
a lot of musicians are very picky on genres these days. Our old bass player
(Claire) left in April, she had told us she didn’t feel like playing anymore
and she didn’t feel in the mood for it. It was hard for us to understand but it
was her choice to leave and we let her go.
In your opinion, what is the BEST album/record
ever released and why?
The Ramones debut album released in 1976, it's one
of my favourites, it was a sign things were changing it came out way before the
Sex Pistols album Never Mind The Bollocks. The album had fast drums, guitar and
bass with simple lyrics that said you don’t have to write a long song to get to
the point, just say it there and then and get them jumping and singing within 2
minutes, it’s just Rock and Roll sped up with a Mohawk or Ramones style long
hair on it. I have the original vinyl album and it still sounds as good as it
did back in the 70’s. I wasn’t about then but I really wish I was, it was a
good year for music!
Being an unsigned band how hard is it to get
noticed and how has social media aided your music?
Being an unsigned punk band it’s very hard for us,
we are a genre that is still looked at as if we have no talent and want to
cause a riot, there is a lot of indie bands about in Sunderland which seems to
be the craze these days. A lot of bars prefer indie bands to other genres. Most
of the times when we play in a bar, hardly anyone comes to any of our shows,
the least number of people we have had at a show was 2....that was it. We still
played, but it’s very sad knowing this is what the local music support has come
down to. The local music scene is dying, there aren’t that many places to
perform and it's mostly nightclubs now, no one goes out to see bands. Now, a
lot of people (sheeple) just watch the X-Factor to see who they should listen
to next then go and buy the CD, everyone thinks this is how music is made these
days, you go on some TV show, tell a soppy stupid story, sing a few lines with
a karaoke machine and hey presto, you're One Direction (Wand Erection - MM) or
some other money making machine not knowing anything else but how to work a karaoke
machine and how to use a microphone. This is what made us prefer to perform in
Newcastle more than Sunderland, they support local music more and there are a
lot more bars that welcome unsigned bands by the millions! The social media has
helped us to advertise our shows and keep in contact with fans and promoters
but a lot of people just ignore the bands adverts in the newsfeed, so it isn’t
very good. Also thanks to Facebook’s annoying settings, trying to hide the
pointless crap (E.G. mostly cats and vine videos) is nearly impossible, meaning
that unsigned bands find it really difficult to advertise their shows on
Facebook. Twitter is very good for bands, we can post tweets nonstop, we can
follow other bands, fans and bars etc. We use Buffer to send out tweets
automatically when we are asleep so we pick up new followers and get our music
heard across the globe. Did I mention we get airplay as well thanks to twitter?
we are regularly played on Radio Northumberland on Monday nights, over on radio
Boise in Idaho USA, also on Monday nights on the 'frankenbryan' unsigned show
and EGH Radio on Sunday, all 3 radio stations support local and unsigned bands.
What is a Spitfire Bullets live show like?
I’d say it's very fun, we try to get the crowd
involved and have a laugh with the band, while keeping to a strict time of a 30
min set, we play covers while chucking in our original songs so there’s a mix
in the set of old 70’s cover with our modern originals.
Who designed the artwork for your EP cover?
I designed it myself, my girlfriend drew the
bullet (which is also the band’s logo) from a picture after I was looking up
WW2 nose art for ideas on the cover with a green riveted back ground it gives
the idea it’s on the left side of a spitfire.
Is there something you would like to tell each of
the band members that you haven’t told them before?
Nope I can’t think of anything, I think I have
told them already hahaha
What classic song would you have liked to have
recorded and why?
Pretty Vacant by the Sex Pistols, whenever we play
it, we play it fast we have been told by a few people that they like our fast
version because it’s edgy full of energy and makes you want to do the pogo.
Where did you record your debut EP and what made
you choose that studio?
We recorded it at The Bunker, it’s a place we hold
rehearsals, there is a recording studio called Room 3 Recordings, we couldn’t
afford the high prices of the recording sessions as we are pretty much a poor
band haha, but The Bunker did have their own recording studio and we took the
cheapest option of doing a live recording session for £50, all four songs on
the e.p. were recorded in one night. We had a £100 budget to use, half went on
the recording, the other half was used for the packaging. The album cover
printing was done at a printing shop in the city. Everything else was done by
hand over 2 days, cutting out 100 cd covers and putting them in wallets and
burning 100 discs, it was cheaper doing this ourselves rather than paying a lot
more to have it done for us.
There are many good bands and musicians out there,
who would you ask the readers of musicmuso to look out for?
I’d tell your readers to look out for proper
musicians, not the X-Factor TV ones. Look for the buskers on the streets and
listen to their songs and toss a coin or two, they could be poor or maybe were
once a famous musician but they are writing songs which people can relate to.
That young band that’s trying their best to play covers in the local pub, talk
to them, they could be the next big rock band. Just go out on the street and
listen for live music coming from a pub or even a basement or garage, it could
be the next big thing, lots of bands started out like that and look where they
got! all they ask for is support and want to have fans and friends. Listen to
unsigned radio shows, Radio Northumberland on Monday night is a good one, we
are on it regularly!
Who is your track ‘Psycho Girl’ about?
Psycho girl is about a girl I once hung out with,
I won’t say her name, she was a good friend but was also a crazed stalker. She
fancied me and wanted me to hook up in a relationship, I refused (bad idea) and
then spent a lot of months hiding from her. She would come to my house almost
every night looking for me and would call my phone and text me day and night.
The lyrics are basically true about the girl, she signed on all the time, she
never wanted a job and did a lot of shop-lifting, she got caught once I
remember that haha, but she was indeed a psycho girl!
Who would you like to know has your music on their
iPod, MP3 or cassette walkman?
I would like to know if any old punk musician’s
had our tracks, the likes of Marky Ramone and Richie Ramone come to mind
because I did tweet them both the Soundcloud link a while back but I’d be
shocked if a few modern bands have our tracks. Having them on cassette?? Well
that'd be cool, I still play cassettes and did tape the EP on to a cassette as
a trial, I’m old fashioned I don’t even own an iPod!!
If you could describe your music in the form of a
fictional character, who would it be?
Vyvyan Basterd of The Young Ones haha...
Do you think we can ever live in a world where a
chicken can cross the road without having its motives questioned?
Well I don’t think farmers ask their chickens the
question in the countryside, I’ve witnessed many chickens crossing the road and
I have asked them myself before I was sent to see a psychiatrist, about talking
to chickens, but yes I believe we can live in a world where chickens can freely
cross the road without being questioned. If they start walking out of KFC with
chicken buckets then I think we should question them, what is it like eating
their own kind?
What are your plans for the remainder of 2014?
Play as many shows as we can and work on more
original material
Have you had any ‘Spinal Tap’ Moments? If yes,
please share!
I remember one time when we were just starting out
as Spitfire Bullets in 2012, I was writing the set-list out and mis-wrote the
numbers on the songs so number 5 was God Save The Queen for me, my bassist had
Blitzkrieg Bop and the drummer had what I think was Teenage Kicks! So we ended
up covering God Save-Bop-Kicks, we stopped after a few seconds in and just
stood there trying to work out which song we should do, I think we did
Blitzkrieg Bop in the end!
Now I know for a fact that chickens do indeed 'eat
their own' but the thought of them casually strolling into a high street branch
of KFC and coming out with a Zinger Tower Meal or a Bargain Bucket does
intrigue me.....whilst debating how the chicken would pay for their poultry
based goodies, I asked Robert a few quick fire questions....
Coffee or Tea?
Coffeeeeeeeeeee!!!!!!!!! Weeeeee caffeine
Coke or Pepsi?
Drugs are bad mmkay Coke is bad mmkay - Nah its
coca cola for us
Drum machine or the real deal?
The real deal, you can’t throw stuff at a drum
machine and not get an ape like reaction
Mac or PC?
PC
Roy Keane or Steve Bruce?
I don’t know, I don’t follow football can’t they
fight to the death??
Sex Pistols or The Ramones
Oh tough one but it’s gotta be The Ramones
Fry up or Sunday roast
Fry up. Love them
Lemmy (Motorhead) or Ozzy (Black Sabbath)?
Lemmy! He is god, all hail Lemmy
CD or Vinyl?
I like both but I’d have to say Vinyl
Car or Motorbike?
Car, I love both machines but cars can carry amps
and guitars to shows
Acoustic or electric?
Electric
Shower or Bath?
Stop swearing!! We don’t use those words! (shower)
Tattoos or Piercings?
I don’t have any of both but I'd choose tattoos
Robert De Niro or Al Pacino?
Al Pacino “Say hello to my little friend!!"
God or Google?
Well it’s hard to contact Lemmy (God) so Google
will have to do!
We'd like to thank Robert for taking the time out
of his hectic schedule to answer our questions and wish the band every success
in the future with their new bass player.
SOCIAL MEDIA
Interview by Mark Wincott
Labels:
local music,
punk,
punk rock,
rock,
sunderland,
unsigned bands
Monday, 13 October 2014
Spitfire Bullets EP
Spitfire Bullets self titled EP released June 2013
Click here check out the EP
Click here check out the EP
1: Spitfire!!!
When I wrote the song Spitfire, it was something that was
just put together over one day, from reading about the Battle of Britain and
the aircraft that fought in WW2. What I
had in mind was a song that sounded cool, fast and short. Lyrically, its about a young boy in WW2
witnessing what was going on around him. Spitfires shooting down ME109’s. Lancaster bombers taking off fully loaded with bombs and coming back
home shot to bits. Hearing the
thundering roar of the Merlin engines from the Spitfires searching for the
Luftwaffe. 500 pound bombs being dropped
from HE11 bombers and dog fights in the sky. The song is my tribute to those who fought in the air during the Battle
of Britain.
2: Psycho Girl
The crazed stalker I couldn't get away from......the psycho
girl. I think every guy has had that
experience once in their lives. That one
girl who would call every night and would follow you home. This song is a true story that happened to me
a good few years ago. A girl, who was my
friend, turned out to be a bit psycho. She knew everything about me and where i
lived. (It didn't help that we went to
the same school.) It got to the point
when she began asking me out and started knocking on my door at night to see
what I was up to. She would call, text,
email and Facebook message me almost every day, apart from the days when she
would be shop lifting in Primark and signing on the dole, but in her free time
she would be stalking me, cause she's a PSYCHO GIRL!!!
3: Head in the Toilet
*cough* *cough* *blurrargh* the sounds of someone throwing
up in a toilet after drinking too much on a night out. Yea, we have all been there. We all have had our head in a toilet at some
point and more than once. This is how I
wrote the song. Too much whiskey and
coke and bam! I'm throwing up in the
toilet and the song title comes in to my head!
Lyrically, its a song about a person’s outlook on life being grim. Feeling washed up and useless. They slowly become insane and paranoid.
4: She's a Punk
This is the very first song I wrote for the band. It was written around a guitar riff I made up
which is at the start of the song. The
lyrics and guitar were written over a few days.
I made a few early demo's before it became what it is now. Originally it was 5-6 mins long, but with a
faster tempo we got it down to 3-4 mins.
The song is a love song. Guy
meets girl and falls in love, but it’s girl meets guy, opposites can happen.
to hear the EP click here
to hear the EP click here
Labels:
EP,
local music,
music,
punk rock,
rock,
sunderland,
unsigned bands
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